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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Nick M. L., Mols | - |
| dc.contributor.author | Camilla, Pezzica | - |
| dc.date.accessioned | 2023-04-04T03:29:37Z | - |
| dc.date.available | 2023-04-04T03:29:37Z | - |
| dc.date.issued | 2023 | - |
| dc.identifier.uri | https://link.springer.com/article/10.1007/s00004-023-00698-0 | - |
| dc.identifier.uri | https://dlib.phenikaa-uni.edu.vn/handle/PNK/7476 | - |
| dc.description | CC BY | vi |
| dc.description.abstract | The facciata double meaning as façade and outer appearance embodies the Italian city-state’s political, cultural, and social values that Leon Battista Alberti outlined in his famed De re aedificatoria libri decem (1485). This concept lies at the heart of Florence’s urban fabric: one of the early cradles of Renaissance architecture that originated from the artistic expenditure of prosperous families including, the Medici, Strozzi, and Rucellai. In this context, the Palazzo Rucellai (c.1446-66) marks an important historical moment in history as its façade, with its three superimposed orders and well-proportioned urban composition, was the first of its kind in Renaissance Florence. | vi |
| dc.language.iso | en | vi |
| dc.publisher | Springer | vi |
| dc.subject | Italian city-state’s political | vi |
| dc.subject | outer appearance embodies | vi |
| dc.title | Florentine Streetscapes and their Role in Revisiting Palazzo Rucellai’s Urban façade Hypotheses | vi |
| dc.type | Book | vi |
| Appears in Collections | OER - Khoa học Tự nhiên | |
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