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dc.contributor.authorKlinowski, Mateusz-
dc.contributor.authorSzafarowicz, Karolina-
dc.date.accessioned2023-09-18T07:33:17Z-
dc.date.available2023-09-18T07:33:17Z-
dc.date.issued2023-
dc.identifier.urihttps://link.springer.com/article/10.1007/s11196-023-09986-x-
dc.identifier.urihttps://dlib.phenikaa-uni.edu.vn/handle/PNK/9078-
dc.descriptionCC_BYvi
dc.description.abstractThis article concerns the conflict between copyright and museums’ digitisation and online sharing of collections. This issue has recently become particularly important in connection with the COVID-19 pandemic. The authors outline the concept of a virtual museum and present the most important copyright provisions in EU law that may create obstacles for cultural institutions in realising virtual counterparts. To perceive copyright as the main obstacle in the process of digitisation and online sharing of collections is not unusual. Hence, the article briefly presents legal framework of the European copyright applicable to such situations. The authors argue that although copyright offers a range of possibilities for museums interested in digitising their collections, at the same time it is responsible for a chilling effect, resulting in fear of potential infringement and liability.vi
dc.language.isoenvi
dc.publisherSpringervi
dc.subjectSharing of Collectionsvi
dc.titleDigitisation and Sharing of Collections: Museum Practices and Copyright During the COVID-19 Pandemicvi
dc.typeBookvi
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