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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Panico, Mario | - |
| dc.date.accessioned | 2023-09-25T06:33:20Z | - |
| dc.date.available | 2023-09-25T06:33:20Z | - |
| dc.date.issued | 2023 | - |
| dc.identifier.uri | https://link.springer.com/article/10.1007/s11196-023-09996-9 | - |
| dc.identifier.uri | https://dlib.phenikaa-uni.edu.vn/handle/PNK/9203 | - |
| dc.description | CC-BY | vi |
| dc.description.abstract | This article seeks to investigate the role that a symbol—connected to a legal event and a collective trauma—has in the construction of a past imaginary. It begins with a theoretical reflection on the role of the symbol as proposed by Juri Lotman and the function of repetition in the consolidation of collective memory. It subsequently focuses on the semiotic resonance of one specific object: the bulletproof cabin of the Nazi criminal Adolf Eichmann, used during his trial in Jerusalem, in 1961. I consider the ‘afterlives’ of this object, examining the different ‘remakes’ of Eichmann’s cabin in several mediatic and artistic contexts, focusing on the modalities that have anchored it to the post-1961 imaginary of the perpetrator and the legal consequences of his actions. | vi |
| dc.language.iso | en | vi |
| dc.publisher | Springer | vi |
| dc.subject | Bulletproof Cabin | vi |
| dc.subject | Semiotics | vi |
| dc.title | Imaginaries of a Bulletproof Cabin: An Investigation between Law, Semiotics, and Memory | vi |
| dc.type | Book | vi |
| Appears in Collections | ||
| OER - Pháp luật - Thể chế xã hội | ||
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