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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Philippopoulos-Mihalopoulos, Andreas | - |
| dc.date.accessioned | 2023-09-29T04:30:50Z | - |
| dc.date.available | 2023-09-29T04:30:50Z | - |
| dc.date.issued | 2022 | - |
| dc.identifier.uri | https://link.springer.com/article/10.1007/s11196-022-09930-5 | - |
| dc.identifier.uri | https://dlib.phenikaa-uni.edu.vn/handle/PNK/9369 | - |
| dc.description | CC-BY | vi |
| dc.description.abstract | Three movements that trace a certain understanding of law, from textual to spatial/material to spectacularised. The passages between the three movements are performed with the help of a visualisation that keeps on evolving, following the narrative of the legal understanding. This is accompanied by a thick description of instances from various iterations of an art performance/participatory game I have been performing in the past few years at various art and law institutions called escaping the lawscape. These hermeneutic tools help me situation the law from a critique of Habermasian rationality to a critique of Luhmannian functionality, only to arrive to a full aestheticisation of contemporary law as a spectacle that needs to prove its validity through social media and other techniques of packaging. | vi |
| dc.language.iso | en | vi |
| dc.publisher | Springer | vi |
| dc.subject | The Real Law | vi |
| dc.title | The Real Law | vi |
| dc.type | Book | vi |
| Appears in Collections | OER - Pháp luật - Thể chế xã hội | |
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