Thông tin tài liệu
Thông tin siêu dữ liệu biểu ghi
Trường DC | Giá trị | Ngôn ngữ |
---|---|---|
dc.contributor.author | Pablo, Cabañas-Molero | - |
dc.contributor.author | Antonio J., Muñoz-Montoro | - |
dc.contributor.author | Pedro, Vera-Candeas | - |
dc.date.accessioned | 2023-04-07T07:06:38Z | - |
dc.date.available | 2023-04-07T07:06:38Z | - |
dc.date.issued | 2023 | - |
dc.identifier.uri | https://link.springer.com/article/10.1007/s11227-023-05192-5 | - |
dc.identifier.uri | https://dlib.phenikaa-uni.edu.vn/handle/PNK/7667 | - |
dc.description | CC BY | vi |
dc.description.abstract | Classical music, unlike popular music, is usually recorded live with close microphone techniques. For this reason, isolated tracks are not available to create the final mixture/stream, and so the mixing process requires greater effort. Source separation methods are a potential solution to this problem. However, current algorithms are not fast enough to yield real-time separation in professional setups with dozens of microphones and sources. In this paper, we propose a fast approach consisting of a panning-based multichannel non-negative matrix factorization model to separate classical music. We tested the system on real professional recordings, where we were able to reach real-time with very low latency and promising quality. | vi |
dc.language.iso | en | vi |
dc.publisher | Springer | vi |
dc.subject | close microphone techniques | vi |
dc.title | The music demixing machine toward real-time remixing of classical music | vi |
dc.type | Book | vi |
Bộ sưu tập | ||
OER - Công nghệ thông tin |
Danh sách tệp tin đính kèm: