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dc.contributor.authorPablo, Cabañas-Molero-
dc.contributor.authorAntonio J., Muñoz-Montoro-
dc.contributor.authorPedro, Vera-Candeas-
dc.date.accessioned2023-04-07T07:06:38Z-
dc.date.available2023-04-07T07:06:38Z-
dc.date.issued2023-
dc.identifier.urihttps://link.springer.com/article/10.1007/s11227-023-05192-5-
dc.identifier.urihttps://dlib.phenikaa-uni.edu.vn/handle/PNK/7667-
dc.descriptionCC BYvi
dc.description.abstractClassical music, unlike popular music, is usually recorded live with close microphone techniques. For this reason, isolated tracks are not available to create the final mixture/stream, and so the mixing process requires greater effort. Source separation methods are a potential solution to this problem. However, current algorithms are not fast enough to yield real-time separation in professional setups with dozens of microphones and sources. In this paper, we propose a fast approach consisting of a panning-based multichannel non-negative matrix factorization model to separate classical music. We tested the system on real professional recordings, where we were able to reach real-time with very low latency and promising quality.vi
dc.language.isoenvi
dc.publisherSpringervi
dc.subjectclose microphone techniquesvi
dc.titleThe music demixing machine toward real-time remixing of classical musicvi
dc.typeBookvi
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